“The characters in this series are photographed at home as they go about their familiar activities. The images show moments of intimacy, precious and delicate, that, beyond their simplicity, bear witness to everyday reality.
The point of view, from the ceiling or the sky, breaks this banality by representing these snapshots of humanity in a pictorial way. By recreating an unknown visual universe, and disregarding photography’s notions of perspective and depth of field, the viewer’s eye is made to lose its usual reading marks.

The character is set in a delimited space. The main element of the scene, the confrontation between banality and its aesthetic representation, acts toward him as a telltale feeling. Through these emotions, these infinitely human and romantic feelings, the subject gives relevance and strength to the image: express the torments of the heart and the soul, the vertigo of everyday life, that lies buried beneath this trivial appearance.”

Enjoy all the scenes and other interesting projects on their website, via Visual Tone

In January 2008 something “magic” happened. I featured Alin Ciortea, a great Romanian photographer, after I asked him for credits in private. He said “no problem” and there he was, on my growing website. After I published his works, a friend of mine, Alina Prodănescu, reminded me in a comment that I have to take care of the copyrights of the photos, because I’m only allowed to publish them with the written consent of the author. Otherwise, it’s illegal!!! I said “Don’t worry, he gave me the rights to do it!”, but dummy me, Alin Ciortea was the first artist that I’ve ever asked for copyrights. So I started a sending e-mails campaign to all the artists that I featured on oitzarisme until that day; some of them gave me the permission and some of them didn’t, and this explains the big gap that I’ve told you about.

Alina also said that the most beautiful entry on oitzarisme was Doru Yoana; too bad that’s written in Romanian and extremely bad that didn’t had some guts to take him some photos last summer when he was playing backgammon on the beach. On my little story about Doru Yoana I featured Vlad Eftenie photographs.

In March 2008 something strange happened on the Hywel Jones entry, starting with the first comment. Enjoy!

Something even stranger happened after I posted Elif Sanem Karakoç works on March 14th 2008 and I featured Michel Shapcott almost two years later. A few months ago I discovered this:

(source)

In April 2008, I found that Rob Gonsalves is the author of all those PowerPoint surrealism paintings that we all know since the beginning of the internet and I also found that his grandparents were Romanian Gypsies.

In September 2008 the first photo-project with a statement is posted. Vincent Bitaud tells us about his Sleeping Beauties and tells me that he quit his web-designer job a year before to go for professional photographing. Later he wins the 3rd place on Imagine 2009 European Prize, Creativity and Innovationand also becomes member of Young Photographers United.

In February 2009 I featured Carlo Gianferro with his Romany Interiors project, winner of the 1st prize on WorldPressPhoto 2008.

In June 2009 my girlfriend, Andreea Cioran, wants me to wear a mustache and take some shots with it. At 11 AM on a lovely Sunday I was walking down the streets with a funny vintage porn mustache on. All the modern men were envying me. Andreea is featured on oitzarisme with the Society series also, and one of the photograph is among the State of Creation contest winners.

In January 2010 I created my first project that I’m proud of. “Ten years among them” is a photo-story about my colleagues and their spare time. I spend some great time with ten of them and shared the results on an inside office exhibition with the photos spread on the walls. I wonder if I should take them off, it’s been six months since then…

In February 2010, celebrating my 3 years, I presented to you a useful (I think) project. United Artists of Oitzarisme wants to be a summary of all the artists featured on oitzarisme. I tried to create it on my own with my html knowledge, but a friend of mine, Flavius (what link should I put here, dude?) told me “You’re nuts!” and I agreed. He helped me put all the html in a simple php table and all I had to do is update, update, update! Last update: February 4th, 2010. Reasons: job, trying to fill them all, artists, love… I do have the data in an excel document and in a couple of weeks this data will be on that database. I promise!

In March 2010 inspiredm.com puts my website in an entry about indie photo-blogs that I really enjoy. I featured Denis Rouvre when the article was online and I’m very proud that African Digital Art and Creative Roots discovered my website.

Also in March I tried for the first time to be an agent. Featuring Bogdan Meseșan with his New ID project, I wrote about it to some websites and blogs that I thought could be interested in his work. And they were. With his powerful semi-political message in his project, Bogdan was featured on Osocio, the best social advertising website, on Sargasso.nl, a Dutch non-profit news website, and also on lots of other websites like crossmode.it, Humanitarian News, Mire Magazine or Unscathed Corpse, thank you all! I also wrote to Jonathan Cherry interviewed him for Mull It Over. I was very satisfied by the results and I’m trying to do this again with other artists.

At the end of March (what a month!) I discover that David Leventi has some great photos on his website, shot in Romania. I wrote to him to ask for permission for the Opera series and congratulate him for the photos taken here, in my country, especially for the one with the Samsung Building. He allowed me to publish his works and told me that he loves Romania and that he’s currently working on a book project/family history of my country. Both his parents were born in Romania, but left to the US around 1959 and after that there’s a long story that I hope to enjoy on a coffee break with him during his next visit in Romania.

Later that week, I enjoyed a coffee with Bogdan Croitoru and asked him live for permission to put his dirty miners/clean miners on my website. Great work, isn’t it?

In May 2010, ArtClue wants to publish an online Contemporary Art Magazine and I’m ready to help with layout and design. The first issue was under my expectations but the second one was much, much better. I’m proud of my work and I hope I will be getting better and better.

I hope I’m getting better and better with this website, too. I’m starving to fill it with quality content, to share projects that you have to see, photos that you have to feel. Until my projects will pass the “written on paper” phase, I’ll comfort/disturb/cuddle/embrace you with others’ projects.

Thank you all,
Constantin

This work looks at how technology, especially the Internet, is changing how young people view sex, relationships, privacy, and intimacy. It summons questions about what happens when an intimate act is performed through technology. And further, what happens when that act is shared with millions via the Internet?

Young people have become accustomed to posting and sending sexually charged images of themselves via the Internet and cell phones. These images range from simple, innocent portraits, to nudes, to pornographic images that are extremely explicit. In many cases, it is a girl who usually sends these images, and/or videos, to a boy or boys that she is interested in. From there, the images and videos can end up anywhere. Many times they end up posted somewhere on the Internet. There has been an explosion of websites that specifically deal in photos that have been taken by young couples or girls themselves.

The Internet has made pornography much more accessible than it has been in years past Males are the main consumers of pornography, but young women are affected just as much, if not more. Because there is an intense competition among young women to attract young men’s attention, they begin to imitate what they believe young men like in order to attract their attention. Young men learning about sex from pornography has influenced young women to emulate the female figures in pornography. When young women emulate this pornographic behavior, it reinforces young men’s notions of how young women are supposed to behave.

I am using found images from the Internet as source material. These are images that have been created by one person with the intention of sharing them privately with another person. However, through some event, these images that were meant by the original creator to remain just between them and the receiver, have somehow ended up on the Internet. The models I am using in the images are all volunteers and are not professional models. They are found through ads placed on the Internet and social networking sites. It is important to me that the models are volunteers and that they want to be a part of the recreation of these images.

Instead of recreating the actual found image, I am recreating the moment that the original found image was captured. I am attempting to put the original image into a context to give the viewer an idea of what was happening during the creation of the found image. In the found images it is the act of creating the image that is important because the ‘act’, not the ‘image’, represents the shift in how young people understand, enact, and experience sex and intimacy. The acts that are performed in these images and videos are acts that to many of an older generation would be private. Instead, these once private acts are now being viewed by millions.

via FOAM Magazine