Archive for the ‘fotomografie’ Category

Matteo Bastianelli – A Silent Scream for Life

www.matteobastianelli.com

Born in 1985, Matteo Bastianelli is a freelance photographer and journalist based in Rome. He graduated at the “Scuola Romana di Fotografia” in 2009. In 2007 he started working on long-term projects about homeless conditions, squats in Rome, health sistem in Croatia, living-conditions of the Croatian and Bosnian Romany (Rom) population who live in ghettos financed by the European Community. Currently he is documenting consequences of the genocide carried out by Serbs against the Bosnian Muslims in former Yugoslavia, where, 15 years after the end of the war, 30.000 people are still officially missing. In his work Matteo Bastianelli merges his personal experiences and civil commitment, through voluntary work, that allow him to come within close proximity of his subjects and with whom he loves to establish human relationships that go far beyond a simple photographic tale. His pictures have been published in some of the most important Italian newspapers and magazines, such as Messaggero, Corriere della Sera, Liberazione, L’Espresso and also in some international magazines, such as Photo District News, Blur, Drome, Miro, Burn and Foto8.

Bastianelli
18-year-old male twins, both blind since birth. Both self-destructive, their hands are tied up by the nursing staff to prevent them from hurting others or themselves. Not being able to use their hands they bite their arms continually. Their parents visit them during the holidays.

Bastianelli
On the bottom right-hand side is 8 year old Tony, affected by Wolf-Hirschhdrn syndrome. In the background is the left wall of the ex-Castle, transformed into a sanatorium for children after the Second World War and, since 1963, has been a hospital for long-term patients suffering with genetic complaints.

Bastianelli
A boy, who is self-destructive, with his foot tied to his bed by a bandage. That is normal practise for the nurses, as it prevents patients from hurting themselves and others.

Bastianelli
Mario, aged 14, is afflicted with fetal alcohol sindrome. He loves being caressed, in spite of his hard looks. Approximately 80% of the in-mates die in the hospital, without ever returning to their family home.

Bastianelli
Anna, one of the volunteers from the Garden of Blue Roses Foundation with Filip, one of the 110 patients at the Hospital. Filip is gravely mentally-handicapped, blind and often causes himself severe bodily harm. However, during his calm moments, he craves for cuddles.

Bastianelli
Velimir, aged 31, epileptic and with psychomotor problems, is one of the oldest patients in the Hospital. He has been there for over 20 years. He spends his days sitting in front of the window and loves being caressed, in spite of his hard looks.

more photos on the artists’ website, via Foto8


Hans van der Meer – European Fields

www.hansvandermeer.nl

vanderMeer
Celerina – Switzerand

vanderMeer
Consett – England

vanderMeer
Prato – Italy

vanderMeer
Knippla – Sweden

vanderMeer
Radlje – Slovenia

vanderMeer
Biharia – Romania

enjoy more european fields on the artists’ website, via KodakMoment


Gilbert Plantinga – Derivates

gilbertplantinga.com

“Culled from a larger body of work made over the past two years – much of it depicting the economic decay endemic to the rural northeast, this small series of recent pictures is a reflection on the current economic disaster and its origin (or at least its trigger point) in the housing and mortgage industry. The houses are photographed at some distance as they may be financially our of our reach. The architecture is generic and derivative – I suppose that it is far more difficult for a buyer to get financing for an architect – designed custom home. The homes are intrusive on the landscape, all of it former farmland. And the ones that are finished sit empty.”

Plantinga

Plantinga

Plantinga

Plantinga

Plantinga

Plantinga


Rachel Papo – Serial No. 3817131

www.serialno3817131.com and www.rachelpapo.com

At an age when social, sexual, and educational explorations are at their highest point, the life of an eighteen-year-old Israeli girl is interrupted. She is plucked from her home surroundings and placed in a rigorous institution where her individuality is temporarily forced aside in the name of nationalism. During the next two years, immersed in a regimented and masculine environment, she will be transformed from a girl to a woman, within the framework of an army that is engaged in daily war and conflict. She is now a soldier serving her country, in a military camp amidst hundreds like her, yet beneath the uniform there is someone wishing to be noticed, listened to, and understood.

Papo

Papo

Almost fifteen years after my mandatory military duty ended, I went back to several Israeli army bases, using the medium of photography as a vehicle to re-enter this world. Serial No. 3817131 represents my effort to come to terms with the experiences of being a soldier from the perspective of an adult. My service had been a period of utter loneliness, mixed with apathy and pensiveness, and at the time I was too young to understand it all. Through the camera’s lens, I tried to reconstruct facets of my military life, hopeful to reconcile matters that had been left unresolved.

Papo

Papo

Walking onto an army base after all these years was very disorienting, as memories began to surface, and blend with feelings of estrangement. The girls who I encountered during these visits were disconnected from the outside world, completely absorbed in their paradoxical reality. They spoke a language now foreign to me, using phrases like “Armored Cavalry Regiment” and “Defense Artillery.” Would it have made any difference to explain to them that in a few years the only thing they might remember is their serial number? Photographing these soldiers, I saw my reflection; I was on the other side of a pane of glass – observing a world that I had once been a part of, yet I could not go back in time or change anything. It felt like a dream.

Papo

Papo

The photographs in this project serve as a bridge between past and present – a combination of my own recollections and the experiences of the girls who I observed. Each image embodies traces of things that I recognize, illuminating fragments of my history, striking emotional cords that resonate within me. In some way, each is a self-portrait, depicting a young woman caught in transient moments of introspection and uncertainty, trying to make sense of a challenging daily routine. In striving to maintain her gentleness and femininity, the soldier seems to be questioning her own identity, embracing the fact that two years of her youth will be spent in a wistful compromise.

More photos on the project’s website.
Rachel’s book – Serial No. 3817131 – is available for purchase! published by powerHouse Books, foreword by Charles H. Traub.

via FlakPhoto


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